'Anyone who loved ‘Someone Else’s Skin’ will not be disappointed with the new Marnie Rome. Sarah Hilary writes the best crime reads. Emotionally intelligent and compelling.'
Tweet
'Anyone who loved ‘Someone Else’s Skin’ will not be disappointed with the new Marnie Rome. Sarah Hilary writes the best crime reads. Emotionally intelligent and compelling.'
First-time UK novelist Sarah Hilary is another talent to be watched, her debut, Someone Else’s Skin (Headline £7.99), a standout of the year. The first in a series to star DI Marnie Rome, it is set around an attempted murder in a London women’s refuge but travels to even darker territory, as Rome confronts her own past and the murder of her parents by their foster son and falls into the sphere of real evil. Hilary vies with Beukes for most unsettling scene of the year.
“Someone Else’s Skin by Sarah Hilary is a debut novel, but you would never know it from the reading experience.”
Susan Wilkins |
Five years ago
Fred’s crying again, a snotty noise with a whine in it, like the puppy when she’s shut outside. Archie’s the oldest, it’s his job to take care of Fred when Mum and Dad aren’t around, but he’s fed up of drying Fred’s tears and wiping Fred’s nose. Most of all, he’s fed up of telling Fred it’s going to be okay. Archie doesn’t like telling lies, especially not to his little brother.
TW: We need to talk about what happened at the house yesterday, but we don’t need to do it now. It can wait until you’re feeling less . . .
MR: I want to do it now. Please, sir. I’d rather get it done and if it helps you to make sense of what he . . . I want to get it done.
TW: All right, detective. In that case, let’s start with how long you’ve known the suspect, Stephen Keele.
MR: Six years. October 12th 2003. That’s when they invited me over to meet him. They’d told me they were planning to foster someone. A boy. But that’s when I met him. October 12th.
Marnie Rome walked fully formed into a story I was writing two years ago. She was undercover, in biker boots and a black wig, but she was unquestionably Marnie. I recognised her at once. Later, I came to realise how many secrets she was hiding. And I came to realise that she owed a debt, in part at least, to my fictional heroines from page and TV. Not everyone on this list shares a character trait with Marnie Rome, but they are all women who’ve stayed in my head (and my heart) long after I’ve stopped reading and watching.
Some time ago, I set my sights on the UK’s greatest crime agent, Jane Gregory. In a piece written for Mslexia, Jane describes very sensibly how tough it is to get published; new authors can spend an average of two years working on a manuscript before it’s ready to be sent out to editors. That’s two years after Jane has decided the manuscript has potential. At this point you might be wondering if I’m a masochist or merely an egotist. What made me think I could beat odds of 5,000 to two (5,000 being the manuscripts submitted to Jane’s agency in an average year, and two being the number of new authors she signs in the same period)? Well, it helped that Jane encouraged me: responding to each of my (many) submissions with a page or more of reasons why I wasn’t ready to be published, suggesting ways I could improve if I was willing to put in the time. There’s another word for these letters: rejections. Like luck, rejection has a mythology all its own. We invite it, but we fear it. Sometimes we fear it so much we daren’t send our manuscripts out into the big bad world. But let’s debunk this myth, while we’re at. Because we can, and we should. Rejection is good for your soul. Without it, how will you ever know how good your writing can get? Or whether you have the staying power for this undoubtedly tough business? You won’t. You won’t know where the bar is set, or how to go about reaching it.You can read the whole article by subscribing to Mslexia. I was surprised that the cost starts from less than £20 for the year.
Marnie had a walk-on role in an earlier story of mine, and she'd been watching me from the wings ever since. More or less patiently, although I could tell she was starting to wonder when I'd get the hint and write her a whole story. It took me a little longer to find her detective sergeant, but Noah Jake entered the fray and I was all set, more or less.
I wrote the first draft swiftly, for the sake of the momentum and in case I lost my nerve. It wasn't great but it had a good spine, and I could see where the layers were needed to make it better. I was lucky with my cast of characters. Once I'd picked a women's refuge as the setting, the characters came to me: lost women with stories they were reluctant to tell; survivors. And the less savoury characters, one of whom hung back in the shadows until the second draft, unnerving me.
"A superb debut and an impressive new cop-heroine, modern, passionate and mixed-up. DI Marnie Rome bears the psychological scars of both her parents being knifed to death by a teenager living in their house. She and her sidekick arrive at a women's refuge to conduct a routine interview. They come across one of the residents stabbing the husband from whom she was escaping. Rome investigates, then there's a disturbing disappearance from the refuge. The horror of domestic violence is the thread that runs through the novel, coupled with the failure of the justice system to deal with it."
When I found out that Someone Else’s Skin would be published, I phoned up my friend Anna (to whom the book is dedicated) and we screamed like schoolgirls.The picture is of the US audiobook version, read by Justine Eyre and available from Tantor.
Someone Else’s Skin is a book about family, deception, misdirection and misunderstanding and it will certainly keep you on your toes. Marnie Rome is a complicated and challenging character who is unlike any other I’ve encountered in the pages of a crime fiction novel, and I really warmed to her. She’s a woman with demons, but with enough gumption to keep them at bay when the chips are down; and the beating heart of a dazzling debut novel which will beguile and confound you every step of the way. The final twist is hugely satisfying, and this novel also features a murder weapon that’s totally unique in crime fiction! Read it to find out what it is.
It's the story that really drives this novel, though, and this is a corker: twisty, tricksy and, on occasion, seriously scary. There is a moment when it is almost impossible to keep reading, the scene Hilary has created is so upsetting, but almost impossible not to, the story is so hell-for-leather compelling. This is a rare thing, for any thriller, and extraordinary in a debut, but then this is an extraordinarily good debut, slipping under the skin of the bad things that happen every day and everywhere. "The house was quiet again, and now she remembered how, from the outside, it had looked like every other house in the street." Utterly creepy, without being gratuitous, and an exciting start to what is intended to become a series about Rome.
I bought my son a Sherlock t-shirt for his birthday: “I don’t understand,” it says on the front and, on the back, “I still don’t understand”. The quotes are attributed to John Watson but they could apply to quite a lot of us, I imagine. We love to puzzle over the show, on Twitter or elsewhere, speculating as to twists in the plot (or in the characters). Watching is different to reading. There’s a social aspect to it, for one thing. We all watch the same episodes at the same time and we’re all waiting a week for What Comes Next; plenty of time for theories to abound.
As DS Noah Jake points out in Someone Else's Skin, trying to pick a fight with Marnie Rome is like digging your fingers in marble; you just end up with an ache in your fists.
While, as readers, we are trying to discover the truth, what is underneath the skin of the characters, I feel the same could perhaps be said of the book as a whole. We gradually peel away layers, finding surprises, twists and turns, and the truth underneath.